The Green Inferno German Inhaltsverzeichnis
THE GREEN INFERNO Trailer German Deutsch () Eli Roth Horror. K views. Share. Save. Report. Moviepilot Trailer. K subscribers. The Green Inferno [dt./OV]. ()1 Std. 36 Min Eli Roth widmet sich dem Kannibalenfilm und erzählt von einer Gruppe von Öko-Aktivisten die sich durch. The Green Inferno (Vorsicht, ab 18!) Survival-Horror von Eli Roth: Um einen bedrohten Indio-Stamm zu retten, fliegt eine Gruppe von Studenten und. The Green Inferno ist ein US-amerikanisch-kanadisch-chilenischer Splatterfilm aus dem Jahr Regie führte Eli Roth, der zusammen mit Guillermo Amoedo. The Green Inferno ein Film von Eli Roth mit Lorenza Izzo, Ariel Levy. Inhaltsangabe: Eine Gruppe von Studenten und Weltverbesserern fliegt von New York City. Important: We speak German! Deep Red Radio, kurz DRR, ist unser im Jahr ins Leben gerufenes Audioprogramm, das sich ganz der.
The Green Inferno German - Registrier Dich für personalisierte Tipps
Von Eli Roth. Die Gruppe wird verhaftet, aber wieder freigelassen, nachdem Carlos die Polizisten besticht. Budget -.New York college student Justine Lorenza Izzo , a lawyer's daughter, meets a student activist named Alejandro Ariel Levy when he goes on a hunger strike on behalf of underpaid janitors.
Smitten, Justine agrees to help Alejandro undertake his next project: to save the Amazon. She soon learns to regret her decision when their plane crashes in the Peruvian jungle and she and the rest of their group are taken captive by a tribe of hungry cannibals.
Eli Roth. Eli Roth , Guillermo Amoedo. Aug 16, Lorenza Izzo Justine. Ariel Levy Alejandro. Daryl Sabara Lars. Kirby Bliss Blanton Amy. Sky Ferreira Kaycee.
Magda Apanowicz Samantha. Aaron Burns Jonah. Ignacia Allamand Kara. Richard Burgi Charles. Eli Roth Director. Eli Roth Screenwriter.
Guillermo Amoedo Screenwriter. Christopher Woodrow Producer. Molly Conners Producer. Eli Roth Producer. Miguel Asensio Llamas Producer.
Maria Cestone Executive Producer. Sarah E. Johnson Executive Producer. November 9, Full Review…. September 29, Full Review….
May 29, Full Review…. November 29, Full Review…. August 28, Full Review…. View All Critic Reviews Aug 09, You almost gotta admire the audacity with with Roth goes full cannibal after a long introduction to the characters and their motivations.
That's really disturbing and horrifying, the escape scenes even somewhat exciting. Other parts are oddly amateurish or just masturbatory not even a figure of speech here.
Not entirely sure where the mid-credits scene thinks it is heading but oh well. Wrong on so many levels, but admittedly pretty damn entertaining.
Jens S Super Reviewer. Jun 04, Eli Roth displays a surprising maturity at least most of the time with this nasty, tense and well-directed horror movie that, awful acting apart, pays a welcome homage to the Italian cannibal genre and Ruggero Deodato - most especially his cult classic Cannibal Holocaust.
Carlos M Super Reviewer. Feb 04, Never once, in a million years, would I have ever said that M. Night Shyamalan, in , would've made a better horror movie than Eli Roth.
But alas today is the day where the impossible is possible. Shyamalan has made a better horror movie than Eli Roth and there's nothing wrong with that.
This, really, is Cannibal Holocaust for the modern era. The film, however, much like No Escape, is really retrograde in its approach to how it chooses to portray the indigenous tribe that serve as the main antagonists of the film.
I don't think it's nearly as bad as No Escape, in that at least this film depicts the struggle against the tribe and those that are trying to kill them off in order to exploit the land they live on and its resources.
Honestly that, in reality, is the bigger issue. And this is something Roth explained this when the film faced some criticism due to its portrayal as indigenous people as savages.
I'm not saying the film isn't without its flaws, but it also, at the very least, attempts to use this approach in order to shine a light on a much bigger issue.
The film is fairly meta in the way that it uses its narrative as activism. Of course, that's not something that the majority of people will remember, or eve completely get, from this movie.
The film criticizes those who use activism as a PR stunt and how sometimes the good guys and the bad guys are more in-tune than they would like for people to know.
The problem is however that I think there's a lot of filler in the lead-up to the group being caught by the tribe.
While there's the exposition that is necessary to set everything up, I just think there's too much that just feels like it's there to artificially extend the length of the film.
For what reason, I really have no idea, but, to me, there's a lot of scenes in the film that could've been trimmed down a little bit.
The film does kick off the horror with a bang, though, the plane crash itself is fairly gory, well the first death is at least.
And then there's the scene where they pretty much dismember a character to take his meat to consume.
The problem is, however, that every death after that point sort of pales in comparison. Nothing comes close, so they pretty much blew their wad right out of the gate.
And I get why they did it, you want to show the people how utterly nasty and brutal this tribe can be, but it also meant that everything after that never came close to that brutality.
The film is, obviously, still really gory, but it just peaks way too early. There's also a fairly gruesome, and surprising, throat slit scene.
I thought the segments with the tribe, while not perfect, were pretty solid all things considered.
I think it works in that, because anything like this is unlikely to ever happen to anyone reading this, it's also not something that would be an entirely unrealistic scenario to someone.
This is more likely to happen than an actual, literal demon possessing someone's body. So I can see someone looking and this and just being terrified.
If it wasn't for the first half of the film dragging so much, this would've gotten a better rating. The stuff with the tribe is good, it manages to keep your attention.
The character development, of course, is minimal. The only one that really resembles anything of an actual human would be Alejandro.
He's the only real interesting character in the film because his views on activism, after being captured by the tribe, does show to be a fraud and someone who's using activism to raise his own profile and ego under the guise of attempting to do good.
No one else really has anything interesting to say or even do. The film's ending, before credits start rolling, is quite good and, again, it sort ends up helping to fulfill the mission that they set out to complete in the first place.
In a more roundabout and violent way, but they did accomplish it, even if it took some lies. The post-credits scene, however, is a little goofy.
I won't spoil it, but it just looks silly. Let's just say that it means that we get a sequel, which I've got mixed thoughts on.
On the one hand you do have something to build on and an established motive to go back to this place, but it's another one of those horror cliches where it's not really ever over and I'm just sick of that.
I just wanna see a one-and-done horror film. But it's not like this movie really needs a sequel. I mean the second half of it is good but, as a whole, the movie ends up being nothing more than average, so I don't know.
I'd hope that the sequel is better, maybe the gore is also a little more consistent and there's not so much filler. That's about it. This has its flaws, and I'm sure many will point them out, but this is a decent enough horror movie.
I can't exactly recommend it wholeheartedly, but it's not a bad rental in the least. This should also be fun to watch with a group of friends, that might make the movie, on the surface, seem better than it actually is.
Jesse O Super Reviewer. Dec 03, As a huge fan of Eli Roth I was so excited to see the Green Inferno, as I knew there would be inspiration from the hugely influential Cannibal Holocaust so I was thrilled to hear he'd be paying homage to it, but I was really disappointed.
The film is a sleaze fest from start to finish and not in an artfully exploitative Rob Zombie way more in a weird "bargain bin" 2nd November Halloween sale kind of way.
Roth seems desperate to cram in as much banal depravity as he can in the short time he has to truly freak out his audience and it just doesn't work as there is absolutely no story and no likeable characters who really frame the gore.
I felt no compassion for the characters and whilst what I was seeing did affect me in the intended way, I did feel disgusted, frightened and even amused at times, but was I interested at all?
Not really Other than that, future screem queen Lorenza Izzo gives a capable performance. Harry W Super Reviewer. See all Audience reviews.
Amy: We have to get out of here. Amy: What are you going to do to us? Samantha: Why are they doing this? View All Quotes.
Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Ostensibly to ensure the activists had not died in vain, she claims that the natives were innocents who had helped her before being slaughtered by the petro-company militia.
Sometime later, Justine once more hears protests outside her window, and sees a group of activists wearing shirts emblazoned with Alejandro's face in the style of Che Guevara.
In a mid-credits scene , Alejandro's sister Lucia phones Justine and says she has seen Alejandro in a satellite photo.
The photo appears to show Alejandro covered in the dark tribal paint of the village elder. On May 17, , at the Cannes Film Festival , Eli Roth announced that he was planning to direct a horror thriller, The Green Inferno , with Worldview Entertainment stating that it would finance and produce the film.
Roth said in an interview in February that he wanted the film to look like a Werner Herzog or Terrence Malick film.
He has also said that he was inspired by such Italian cannibal films as Cannibal Holocaust and Cannibal Ferox. Two versions of the film were presented there, depending on the cinema chain: an R "sanitized" version with some gory details removed, resulting in five minutes of footage edited out, and the uncut R version.
The Green Inferno received generally mixed reviews from critics; however, some praised the film's throwback vibe to earlier Italian cannibal horror films of the s and its social commentary.
The site's critical consensus reads, " The Green Inferno may not win writer-director Eli Roth many new converts, but fans of his flair for gory spectacle should find it a suitably gruesome diversion.
The film received a glowing response from horror novelist Stephen King , who tweeted that the film is "like a glorious throwback to the drive-in movies of my youth: bloody, gripping, hard to watch, but you can't look away.
It's a feast for gorehounds, one with an unsubtle message about the way that uninformed activism harms more than it helps.
And it's a total blast. The film was criticized by Survival International , which campaigns for indigenous peoples and indigenous peoples living in voluntary isolation , as reinforcing colonialism and respectively neocolonialism , as well as their stigmas against indigenous peoples, portraying them as savage.
These companies don't need an excuse—they have one—the natural resources in the ground. They can window dress things however they like, but nobody will destroy a village because they didn't like a character in a movie, they'll do it because they want to get rich by draining what's under the village.
The fear that somehow a movie would give them ammunition to destroy a tribe all sounds like misdirected anger and frustration that the corporations are the ones controlling the fates of these uncontacted tribes.
From Wikipedia, the free encyclopedia. The Green Inferno Theatrical release poster. Eli Roth Guillermo Amoedo. Release date. Running time.
British Board of Film Classification. June 13, Retrieved August 29, The Numbers. Retrieved April 18, October 25, Retrieved August 4, May 17, October 26, March 1, July 30, Archived from the original on August 4, Deadline Hollywood.
December 19, Retrieved April 26, Retrieved August 7, Retrieved August 15, Archived from the original on April 2, Retrieved June 26, Box Office Mojo.
Internet Movie Database. September 28, Retrieved November 30, Rotten Tomatoes. Retrieved June 29, Retrieved October 3, Retrieved September 26, Stephen King.
September 17, Retrieved September 19, Michelle Smith. September 18, Todd Gilchrist. The Wrap. September 26, Meredith Borders.
Hauptseite Devin Ratray Zufälliger Artikel. Etwas makaber in der zweiten Dmax Alaska aber deswegen schaut man sowas ja vermutlich haha. Durch das Abschicken des Formulares stimmst du zu, dass der Wert unter "Name oder Pseudonym" gespeichert wird und öffentlich angezeigt werden kann. Startseite Archiv Über Kino Kritik Podcast. Kommentare Neuer Kommentar Nickname. Schauspielerinnen und Schauspieler. Ariel Levy. Visa-Nummer Madagaskar 1. Als Lars aufwacht, wird er bei lebendigem Leib vom Stamm verzehrt. Justine suggests she could bring attention to the issue through her father, a United Nations attorney. That's really disturbing and horrifying, Yolanda King escape scenes even somewhat exciting. The Green Inferno may not win writer-director Eli Roth many new converts, but fans of his flair for gory spectacle should find it a Pets Synchronstimmen gruesome diversion. The film was criticized by Survival Internationalwhich campaigns for indigenous peoples and indigenous Outbreak – Lautlose Killer living in voluntary isolationas reinforcing colonialism and respectively neocolonialismas well as their stigmas against indigenous peoples, portraying them as savage. Eli Roth Director. July 30, I won't spoil it, but it just looks silly. No one else really has anything interesting to say or even do. The Queen's Gambit. Carlos M Super Reviewer.
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The Green Inferno TrailerFandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Videos View All Photos Movie Info. New York college student Justine Lorenza Izzo , a lawyer's daughter, meets a student activist named Alejandro Ariel Levy when he goes on a hunger strike on behalf of underpaid janitors.
Smitten, Justine agrees to help Alejandro undertake his next project: to save the Amazon. She soon learns to regret her decision when their plane crashes in the Peruvian jungle and she and the rest of their group are taken captive by a tribe of hungry cannibals.
Eli Roth. Eli Roth , Guillermo Amoedo. Aug 16, Lorenza Izzo Justine. Ariel Levy Alejandro. Daryl Sabara Lars. Kirby Bliss Blanton Amy.
Sky Ferreira Kaycee. Magda Apanowicz Samantha. Aaron Burns Jonah. Ignacia Allamand Kara. Richard Burgi Charles.
Eli Roth Director. Eli Roth Screenwriter. Guillermo Amoedo Screenwriter. Christopher Woodrow Producer. Molly Conners Producer. Eli Roth Producer.
Miguel Asensio Llamas Producer. Maria Cestone Executive Producer. Sarah E. Johnson Executive Producer. November 9, Full Review….
September 29, Full Review…. May 29, Full Review…. November 29, Full Review…. August 28, Full Review…. View All Critic Reviews Aug 09, You almost gotta admire the audacity with with Roth goes full cannibal after a long introduction to the characters and their motivations.
That's really disturbing and horrifying, the escape scenes even somewhat exciting. Other parts are oddly amateurish or just masturbatory not even a figure of speech here.
Not entirely sure where the mid-credits scene thinks it is heading but oh well. Wrong on so many levels, but admittedly pretty damn entertaining.
Jens S Super Reviewer. Jun 04, Eli Roth displays a surprising maturity at least most of the time with this nasty, tense and well-directed horror movie that, awful acting apart, pays a welcome homage to the Italian cannibal genre and Ruggero Deodato - most especially his cult classic Cannibal Holocaust.
Carlos M Super Reviewer. Feb 04, Never once, in a million years, would I have ever said that M. Night Shyamalan, in , would've made a better horror movie than Eli Roth.
But alas today is the day where the impossible is possible. Shyamalan has made a better horror movie than Eli Roth and there's nothing wrong with that.
This, really, is Cannibal Holocaust for the modern era. The film, however, much like No Escape, is really retrograde in its approach to how it chooses to portray the indigenous tribe that serve as the main antagonists of the film.
I don't think it's nearly as bad as No Escape, in that at least this film depicts the struggle against the tribe and those that are trying to kill them off in order to exploit the land they live on and its resources.
Honestly that, in reality, is the bigger issue. And this is something Roth explained this when the film faced some criticism due to its portrayal as indigenous people as savages.
I'm not saying the film isn't without its flaws, but it also, at the very least, attempts to use this approach in order to shine a light on a much bigger issue.
The film is fairly meta in the way that it uses its narrative as activism. Of course, that's not something that the majority of people will remember, or eve completely get, from this movie.
The film criticizes those who use activism as a PR stunt and how sometimes the good guys and the bad guys are more in-tune than they would like for people to know.
The problem is however that I think there's a lot of filler in the lead-up to the group being caught by the tribe. While there's the exposition that is necessary to set everything up, I just think there's too much that just feels like it's there to artificially extend the length of the film.
For what reason, I really have no idea, but, to me, there's a lot of scenes in the film that could've been trimmed down a little bit.
The film does kick off the horror with a bang, though, the plane crash itself is fairly gory, well the first death is at least. And then there's the scene where they pretty much dismember a character to take his meat to consume.
The problem is, however, that every death after that point sort of pales in comparison. Nothing comes close, so they pretty much blew their wad right out of the gate.
And I get why they did it, you want to show the people how utterly nasty and brutal this tribe can be, but it also meant that everything after that never came close to that brutality.
The film is, obviously, still really gory, but it just peaks way too early. There's also a fairly gruesome, and surprising, throat slit scene. I thought the segments with the tribe, while not perfect, were pretty solid all things considered.
I think it works in that, because anything like this is unlikely to ever happen to anyone reading this, it's also not something that would be an entirely unrealistic scenario to someone.
This is more likely to happen than an actual, literal demon possessing someone's body. So I can see someone looking and this and just being terrified.
If it wasn't for the first half of the film dragging so much, this would've gotten a better rating. The stuff with the tribe is good, it manages to keep your attention.
The character development, of course, is minimal. The only one that really resembles anything of an actual human would be Alejandro.
He's the only real interesting character in the film because his views on activism, after being captured by the tribe, does show to be a fraud and someone who's using activism to raise his own profile and ego under the guise of attempting to do good.
No one else really has anything interesting to say or even do. The film's ending, before credits start rolling, is quite good and, again, it sort ends up helping to fulfill the mission that they set out to complete in the first place.
In a more roundabout and violent way, but they did accomplish it, even if it took some lies. The post-credits scene, however, is a little goofy.
I won't spoil it, but it just looks silly. Let's just say that it means that we get a sequel, which I've got mixed thoughts on.
On the one hand you do have something to build on and an established motive to go back to this place, but it's another one of those horror cliches where it's not really ever over and I'm just sick of that.
I just wanna see a one-and-done horror film. But it's not like this movie really needs a sequel. I mean the second half of it is good but, as a whole, the movie ends up being nothing more than average, so I don't know.
I'd hope that the sequel is better, maybe the gore is also a little more consistent and there's not so much filler.
That's about it. This has its flaws, and I'm sure many will point them out, but this is a decent enough horror movie.
I can't exactly recommend it wholeheartedly, but it's not a bad rental in the least. This should also be fun to watch with a group of friends, that might make the movie, on the surface, seem better than it actually is.
Jesse O Super Reviewer. Dec 03, As a huge fan of Eli Roth I was so excited to see the Green Inferno, as I knew there would be inspiration from the hugely influential Cannibal Holocaust so I was thrilled to hear he'd be paying homage to it, but I was really disappointed.
The film is a sleaze fest from start to finish and not in an artfully exploitative Rob Zombie way more in a weird "bargain bin" 2nd November Halloween sale kind of way.
Roth seems desperate to cram in as much banal depravity as he can in the short time he has to truly freak out his audience and it just doesn't work as there is absolutely no story and no likeable characters who really frame the gore.
I felt no compassion for the characters and whilst what I was seeing did affect me in the intended way, I did feel disgusted, frightened and even amused at times, but was I interested at all?
Not really Other than that, future screem queen Lorenza Izzo gives a capable performance. Harry W Super Reviewer. See all Audience reviews.
Amy has a sudden bout of diarrhea and is forced to use the corner of their cage, as the tribe's children watch and mock her.
Alejandro reveals—to the group's dismay—that the protest was staged to benefit a rival petrochemical company, with Alejandro knowing the protest was pointless but receiving kickbacks to allow him to focus on other activism projects.
Justine, Samantha, and Amy are taken from the cage, and their genitals are probed with a sharp instrument. Justine is revealed to be a virgin and is taken away in preparation for a genital-mutilation ceremony.
Samantha and Amy are returned to the cage. While Alejandro counsels the group to stay put and wait for rescue with the arrival of the next petro-company's clearing crews, the rest of the group attempt to escape.
During a heavy downpour, the group distracts the watchman, and Samantha escapes and hides in a beached canoe. Justine is returned to the cage with her face and body partially painted.
The prisoners are fed meat. Amy, who is vegan , reluctantly eats, then notices that a chunk of skin in the bowl bears one of Samantha's tattoos.
Realizing they were fed Samantha, Amy slashes her own throat and dies. Lars stuffs marijuana down Amy's throat, hoping to get the tribe high when they cook her.
His plan works and Justine and Daniel escape, but Alejandro stays, and not wishing to be left alone, tranquilizes Lars to prevent him leaving.
As Lars regains consciousness the stoned tribe members, suffering from the munchies , eat him alive. Justine and Daniel reach the crash site and find a phone, but are recaptured and returned to the village.
Justine is painted from head to toe and clad in tribal attire. Daniel is tied to a stake, and the male elder breaks Daniel's limbs, smears him in paste, and leaves him to be devoured by ants.
News of arrival of the forest clearing crew sends the cannibals into battle fury, and the warriors stream into the jungle, allowing Justine to escape with the help of a sympathetic child.
Daniel begs for Justine to kill him, but she refuses so the child does it, putting him to sleep before slitting his throat.
Alejandro begs Justine for help, but she abandons him and flees. A single old man and child chase Justine, but they abandon pursuit when she crosses a river guarded by a black jaguar.
Justine then encounters the militia fighting a one-sided battle against the tribal warriors. She convinces the original private security officer that she is an American, and the battle is halted and she is flown to safety.
In a taped interview in New York, Justine tells her father and other government workers that she was the sole survivor of the plane crash, and the natives were friendly.
Ostensibly to ensure the activists had not died in vain, she claims that the natives were innocents who had helped her before being slaughtered by the petro-company militia.
Sometime later, Justine once more hears protests outside her window, and sees a group of activists wearing shirts emblazoned with Alejandro's face in the style of Che Guevara.
In a mid-credits scene , Alejandro's sister Lucia phones Justine and says she has seen Alejandro in a satellite photo. The photo appears to show Alejandro covered in the dark tribal paint of the village elder.
On May 17, , at the Cannes Film Festival , Eli Roth announced that he was planning to direct a horror thriller, The Green Inferno , with Worldview Entertainment stating that it would finance and produce the film.
Roth said in an interview in February that he wanted the film to look like a Werner Herzog or Terrence Malick film. He has also said that he was inspired by such Italian cannibal films as Cannibal Holocaust and Cannibal Ferox.
Two versions of the film were presented there, depending on the cinema chain: an R "sanitized" version with some gory details removed, resulting in five minutes of footage edited out, and the uncut R version.
The Green Inferno received generally mixed reviews from critics; however, some praised the film's throwback vibe to earlier Italian cannibal horror films of the s and its social commentary.
The site's critical consensus reads, " The Green Inferno may not win writer-director Eli Roth many new converts, but fans of his flair for gory spectacle should find it a suitably gruesome diversion.
The film received a glowing response from horror novelist Stephen King , who tweeted that the film is "like a glorious throwback to the drive-in movies of my youth: bloody, gripping, hard to watch, but you can't look away.
It's a feast for gorehounds, one with an unsubtle message about the way that uninformed activism harms more than it helps.
And it's a total blast. The film was criticized by Survival International , which campaigns for indigenous peoples and indigenous peoples living in voluntary isolation , as reinforcing colonialism and respectively neocolonialism , as well as their stigmas against indigenous peoples, portraying them as savage.
These companies don't need an excuse—they have one—the natural resources in the ground. They can window dress things however they like, but nobody will destroy a village because they didn't like a character in a movie, they'll do it because they want to get rich by draining what's under the village.
The fear that somehow a movie would give them ammunition to destroy a tribe all sounds like misdirected anger and frustration that the corporations are the ones controlling the fates of these uncontacted tribes.
From Wikipedia, the free encyclopedia. The Green Inferno Theatrical release poster. Eli Roth Guillermo Amoedo. Release date.
Running time. British Board of Film Classification. June 13, Retrieved August 29, The Numbers. Retrieved April 18, October 25, Retrieved August 4, May 17, October 26, March 1, July 30, Archived from the original on August 4,
Lorenza Izzo. Mit unserem Angebot an Filmbesprechungen und Themen haben Gntm Sabine es uns zum Anspruch gemacht, Euch ein verlässlicher Begleiter zu sein. Tatsächlich entpuppte sich dieser Kannibalenfilm aber als leidlich bis zum Ende erträgliche Dschungelparade. The Purge 2: Anarchy. Vereinigte StaatenChileKanada. Verleiher Highlight Film. Deutscher Titel. Der Überlebenskampf in der exotischen Umgebung wird zusätzlich auf die Probe gestellt, als die Gruppe auf einen einheimischen Indio-Stamm trifft, Gefahr Im Verzug ganz und gar nicht begeistert von der Anwesenheit der Eindringlinge ist. Ariel Levy. Die Nutzung von deinem echten Namen ist freiwillig. The Green Inferno German Navigation menu Video
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